Page 133 - Dark Matter Women Witnessing
P. 133
Notes:
I was inspired to write 'Crow Mother, Her Eggs, Her Eyes,' when I found the painting by
that name, created by Meinrad Craighead. Ms. Craighead subscribes to a belief in
animal guides. In my neighborhood around the same time, I kept seeing this coterie of
crows near my house, and I put together the physical crows with the metaphysical ones.
The physical world we perceive and the mythical realm we create are tethered to each
other. Out of the first arises the second. Myth serves our hunger for meaning. As poets
and artists, we participate in the making of myth and how it sustains spirit.
Long Ago, they captured our city
The city of our mothers, who built it out of
each day's straw, the raucous calls of jays, the wings
of the cormorant flapping languidly over water,
the many earnest ants carrying bits of
ground out of the ground, liberating them
from the dark. It didn't matter that the ants
were blind, they'd been bred to their task.
It didn't matter whether the mothers were beautiful
or gifted, tall or talkative or wholly wise.
It mattered that they spoke the words
everything obeyed, the fish, the newts
who could choose so many forms, the bulky
water buffalo, the barren rocks. All
understood each other and even though
there was killing and there was dying,
there was also understanding of these things,
and forgiveness. This was the beginning,
the story that everything knew, and the ants