Page 86 - Dark Matter:Women Witnessing Issue #3 - December 2015
P. 86




This time I started with something skeletal. I sewed remnants of cloth, burlap and old curtains, onto thin 

branches. I punched holes into the edges of old x-rays of my body and sewed them into a central space in 


each curtain. I was thinking about Tibetan Thangkas as devotional images, with their central imagery of the 

sacred. I journeyed into something I could not yet visualize, ripping out many threads as things began to gel.




For a brief moment, I wanted to place dystopic images 

on these hanging altars, but I rejected that impulse 


early on. Dancing into the nightmare can be 

therapeutic, but my intention was of a different sort. I 


encouraged myself to make beauty that speaks about 

this precious moment, a beauty that expresses my 

gratitude for the sweet, imperfect contradictions in this 


life. In other words, when I began to open to the 

suffering, the grief of losing so much, somehow I 


found that beauty emerged.



I started listening to Joanna Macy (one of my early 


teachers) while I worked. In her talks and her writings 

she discusses the “Great Turning” and what might be 


necessary to shift our world into one that is concerned

about future generations.
She talks about the legacy 

we are


leaving the
In Honor of the Creatures of the Sea, 2014
future


beings and she does it in a way that resonates deeply. I began to 

meditate on those generations to come, the ones that will be 


contending with a radioactive planet with fewer species and less 

access to clean water, clean air, topsoil, healthy food, shelter and 

any sort of well being. As I was stitching, I allowed images to 


dance, like hidden energy behind each curtain; images of people 

connecting through their pain to morph into vast networks of people 

educating each other, finding new tools for creating a just & healed 


planet, bubbling and juicy with diversity, fertility and possibility. I 

imagined people all over the planet turning their shared grief and 


gratitude into a resonant and luscious chorus that cannot be

silenced until the shift occurs.

In Honor of Human Beings, 2014








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